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Movie Issued - in 1968.
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Color Info: Black and White
Countries: Spain
Genres: Short, Documentary
Languages: Spanish
Sound Mix: Mono
Tech Info: PFM:16 mm
In movie have been taken:
Diamante (actor)
Josep Maria Forn (actor)
Birth Name: Costa, José María Forn
Birth Notes: Barcelona, Catalonia, Spain
Spouse: 'Marta May' (qv) (? - ?)
Birth Date: 4 April 1928
Samuel Fuller (actor)
Articles: "The Independent: Extra" (UK), 15 October 2007, pg. 15, by: Geoffrey MacNab, "Dark knight", "Uncut" (UK), May 2005, Iss. 96, pg. 42-44+46, by: Geoffrey Macnab, "War Is Hell", "Stop Smiling" (USA), 2005, Iss. 23, pg. 85, by: Nick Pinkerton, "House Of Fuller", "Film Comment" (USA), May 2004, Vol. 40, Iss. 3, pg. 22-24, by: Kent Jones, "Battle Fatigue: Sam Fuller's Cine-Memoir 'The Big Red One,' Finally Restored To Its Original Epic Form, Delivers Some Hard , Timely Truths About Combat.", "Film Comment" (USA), May 2004, Vol. 40, Iss. 3, pg. 24-25, by: 'Richard Schickel' (qv), "M.I.A.", "The Economist" (UK), 19 October 2002, Vol. 365, Iss. 8295, pg. 95-96, "A genuine primitive", "Ultra Filmfax" (USA), February 1998, Iss. 65, pg. 90-93, by: Dwayne Epstein, "A Fuller Existence: Remembering Sam Fuller, Maverick Filmmaker With a Cause", "Les Inrockuptibles" (France), June 1991, by: Samuel Blumenfeld, Serge Kaganski, "Las Cigares du Phantom", "Passion" (USA), 1986, Iss. 51, by: William Fisher, "The Wham of Sam", "Newsweek" (USA), 28 May 1984, "Daisies from the Killing Ground", "The Village Voice" (USA), 17 January 1984, by: 'Andrew Sarris' (qv), "Fuller Up", "Variety" (USA), 19 June 1981, by: 'Todd McCarthy', "Sam Fuller Brings In Par's Thriller "White Dog" on Sked", "Newsweek" (USA), 28 July 1980, by: David Jansen, "An Unblinking View of War", "Boxoffice" (USA), 21 July 1980, by: R.M.M. Wiener, "Ex-Soldier Fuller's Dream Realized in "Big Red One"", "The Village Voice" (USA), 2 July 1980, by: J. Hoberman, "Sam Fuller: Gate Crasher at the Auteur Limits", "New York Times Magazine" (USA), 4 May 1980, by: Daniel Selznick, "An Old Pro on the Go Again", "American Film" (USA), June 1979, by: Bruce Cook, "Sam Fuller Lands with "The Big Red One"", "Film Comment" (USA), January 1977, by: Richard Thompson, "The Color of Ketchup", "The Village Voice" (USA), 30 August 1976, by: Mark Jacobson, "This Gun For Hire", "The Los Angeles Times" (USA), 30 November 1974, by: Mary Blume, "Samuel Fuller--"B" Director or Genius?", "Cinema" (USA), February 1970, Vol. 5, by: Samuel Fuller: A Cinema Interview, "Ian Leslie Christie, Nicholas Garnham", "Movie" (USA), 1969, Vol. 17, by: 'Stig Björkman' (qv), Mark Shivas, "Samuel Fuller: Two Interviews, Paris 1965 and California 1969", "Film" (USA), 1969, Vol. 55, by: Kingsley Canham, "The World of Samuel Fuller", "Cahiers du Cinema" (France), March 1959, Iss. 93, by: 'Luc Moullet' (qv), "Sam Fuller sur les brisees de Marlowe", "Cahiers du Cinema" (France), November 1957, Iss. 76, by: 'Jean-Luc Godard' (qv), "Forty Guns"
He be the guest of honor at the original annual motion visualize ball bordered by Sodankylä, Finland, in 1986 (accompanied via such younger director using 'Jonathan Demme' (qv) and 'Bertrand Tavernier' (qv)). Therefore, bit of a bearing in Sodankylä was after that renamed Samuel Fullerin Katu (Samuel Fuller Street)., As a young crime reporter with the New York Evening Graphic, the veteran crime reporter who "showed him the ropes" when he first started out was Rhea Gore, the wife of actor 'Walter Huston' (qv) and the mother of 'John Huston (I)' (qv). Fuller's first big "scoop" was when he became the first journalist to report the death of 'Jeanne Eagels' (qv)., Father of 'Samantha Fuller' (qv)., Biography in John Wakeman, editor, "World Film Directors, Volume Two, 1945-1985," pp. 375-382. New York: The H.W. Wilson Company, 1988., Served as a rifleman in the U.S. 1st Infantry Division during World War II. Fuller saw action in North Africa, Sicily, Omaha Beach on D-Day, and then on through Europe to Czechoslovakia. He was awarded the Silver Star, Bronze Star, and Purple Heart. He later used many of his war experiences in _The Big Red One (1980)_ (qv)., Interviewed in "The Director's Event: Interviews with Five American Filmmakers" by Eric Sherman and Martin Rubin., Close friend of 'Richard Brooks (I)' (qv) since the days when they were both reporters in New York.
Biographical Movies: _The Typewriter, the Rifle & the Movie Camera (1996)_ (qv), _Sam Fuller and the Big Red One (1979)_ (qv), _Tigrero: A Film That Was Never Made (1994)_ (qv), _The Real Glory: Reconstructing 'The Big Red One' (2005) (V)_ (qv)
Nick Names: Sammy
Death Notes: Hollywood, California, USA (natural causes)
Books: Samuel Fuller. _A Third Face: My Tale of Writing, Fighting, and Filmmaking._ New York: Alfred A. Knopf, 2002. ISBN 0375401652, Lee Server. _Sam Fuller: Film Is a Battleground._ Jefferson, NC: McFarland & Co., Inc., 2004. ISBN 0786417005, U. von Berg, N. Grob. _Fuller._ 1984., 'François Guérif' (qv). _Sans Espoir de Retour._ Paris, France: Henri Veyrier, 1989., 'Phil Hardy (II)' (qv). _Sam Fuller._ New York: Praeger, 1970., Nicholas Garnham. _Samuel Fuller._ New York: Viking Press, 1971., 'Jean Narboni' (qv), 'Noël Simsolo' (qv). _Il Etait Une Fois . . . Samuel Fuller._ Paris, France: 1986., Olivier Amiel. _Samuel Fuller._ Paris, France: Henri Veyrier, 1985., Samuel Fuller, Christa Lang-Fuller,Jerome Rudes. _A Third Face, my tale of writing, fighting and filmmaking._ NYcityBook: Randomhouse/Knopf, 2003. ISBN 0-375-40165-2
At age 17, 'Samuel Fuller' (qv) be the youngest member of reporters ever to be inwardly tariff of the actions box of the New York Journal. After have participate in the European fracas theater in World War II, he directed a few attendant repeated production all for which he for the most part write the script himself and which he also produced (e.g. _The Baron of Arizona (1950)_ (qv)). His profession of genius was _Pickup by South Street (1953)_ (qv) for 20th Century Fox, but at the downfall of the 1950s, he regain his sovereignty from the harvest cast and film tons other cinema of entry, as resourcefully as the arguable _White Dog (1982)_ (qv).
Height: 5' 6"
Quotes: Film is a battleground. Love, hate, violence, action, death...In a word, emotion., Am I a cult director? Yeah, I love all that. I want to join the cult of the 100 to 200 million grossers and still make an artistic picture., Ninety-five per cent of films are born of frustration, of self despair, of ambition for survival, for money, for fattening bank accounts. Five per cent, maybe less, are made because a man has an idea, an idea which he must express., Van Gogh was a great inspiration for me, a guy for whom life was work and work was life. I wanted to be like him, except I didn't want to go nuts and cut off my ear., I hate violence. That has never prevented me from using it in my films., [Fuller, a WW II combat veteran, writing to director 'Lewis Milestone' (qv), expressing his displeasure at what he considered the phony heroics of Milestone's film _A Walk in the Sun (1945)_ (qv)] "Why a man of your calibre should resort to a colonel's technical advice [the film's technical advisor was a US Army colonel] on what happens in a platoon is something I'll never figure out . . . When colonels are back in their garrison hutments where they belong I'll come out with a yarn that won't make any doggie that was ever on the line retch with disgust.", [About _Run of the Arrow (1957)_ (qv)] "The Confederate in that scene who sang the song against the Constitution was played by a Southerner, whose hobby was collecting folklore and ballads. He loved it, being a Southerner and against the damn Yankees. My art director on the picture was a very virulent Yankee I'm only telling you this because there's an evil streak in me that I like. I thought it would be wonderful to get them together in my office. I'll never forget it; it was the most wonderful moment of my life to introduce these two men who despised each other. They immediately got into a tremendous argument. I heard the whole Civil War fought all over again in my office.", I grew up believing that people make things move, like the word 'movie.' The world, like a moving picture, was moving forward. I wanted to advance too, as rapidly as my quick mind and fast legs would carry me. I also grew up believing in truth - not just the word itself, but the deeper conviction that getting to the truth was a noble cause. My nature has always been to tell people the truth, even if they feel insulted. I care too much about people to bullshit them. If they're offended by the truth, why waste my time on them? When a young director comes to me for advice on a script, I don't pull any punches, especially if the thing's overwritten.
Birth Notes: Worcester, Massachusetts, USA
Salary History: _Confirm or Deny (1941)_ (qv)::$25,000, _A Return to Salem's Lot (1987)_ (qv)::$38,000
Other Works: Novel: "Burn, Baby, Burn!", 1935, Novel: "Test Tube Baby", 1936, Novel: "Make Up and Kiss", 1930s, Novel: "The Dark Page", 1943, Novel: "Pecos Bill and the Soho Kid", 1986, Interviewed in "The American Cinema" by 'Andrew Sarris' (qv), 1968., Unsold pilot: In 1962 he directed a pilot with 'William Bendix (I)' (qv) for a proposed series about an investigator for the Department of Health, Education and Welfare, that ran as an episode of _"The Dick Powell Show" (1961)_ (qv)., Unsold pilot: In 1966 he directed a pilot for a proposed series of true stories about American soldiers called "Dogface"., Novel: "Cerebro-Choc", 1993 (French edition; originally titled "Brainquake"), Novel: "Crown of India", 1966, Children's book (with 'Christa Lang' (qv)): "Sarkina and the Crocodiles", Story: "Riata" (filmd as _The Deadly Trackers (1973)_ (qv))
Birth Name: Fuller, Samuel Michael
Spouse: 'Christa Lang' (qv) (25 July 1967 - 30 October 1997) (his death); 1 child, 'Martha Downes Fuller' (? - 1959) (divorced)
Death Date: 30 October 1997
Interviews: "Fangoria" (USA), 1981, Vol. 3, Iss. 117, pg. 13-16, by: Ed Naha, "White Dog"
Birth Date: 12 August 1912
Sanabria (actor)
Manuel Villegas López (actor)
Death Notes: Madrid, Spain
Death Date: 11 October 1980
Félix Martialay (director)
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